‘Come Suppose With Me’: Watch Artist Kameelah Janan Rasheed Flip Reduce and Collaged Texts Into Works of Collaborative Studying

Artist and author Kameelah Janan Rasheed‘s fascination with language was planted early in her childhood. Within the early Eighties, when Rasheed was a younger lady, her father transformed to Islam and discovered spiritual texts by re-typing them in full, then annotating, analyzing, and learning them. That motion of studying by way of partaking with a textual content took root in Rasheed’s consciousness, and is now the spine of her inventive follow.

A brand new site-specific exhibition at Pomona School’s Benton Museum will characteristic the artist’s interpretation of an amalgam of texts, together with works by writers Jorge Luis Borges, Ashon Crawley, and Saidiya Hartman. Within the present, titled “Worshipping on the Altar of Certainty: 1985,” Rasheed engages with the students’ conceptions of pondering, usually in ways in which problem conventional modes of studying. For the artist, phrases themselves are a cloth that may be sculpted, twisted, darkened, and expanded, simply because the language phrases type will be interpreted, skewed, and analyzed in any variety of methods.

In an unique interview shot in 2021 as a part of Art21’s New York Shut Up sequence, Rasheed elaborates on her private course of. “Textual content has this phantasm of comprehensiveness,” she says, talking from her Brooklyn house. “Even when you’ve learn one thing as soon as, it doesn’t imply that you simply perceive it.”

And so, the artist performs with the phrases, making them “very legible or making one thing very, very opaque.” When she completes a bit, Rasheed doesn’t imagine the work is completed—it wants a viewer, one other reader or self-proclaimed “learner” just like the artist. “It’s actually an invite” she says, “come assume with me.”

The method of attempting to grasp language is just not not like attempting to grasp an individual, she explains. Approaching a sentence that isn’t clear, or doesn’t make sense presents two choices, both take it in and transfer on, “or you possibly can spend a little bit of time unpacking it.” That, she says, “is nearly a proxy for pondering about how we will transfer by way of different methods of studying the world with a bit extra care and slowness.”


Watch the video, which initially appeared as a part of Art21’s sequence New York Shut Up, under. “Kameelah Janan Rasheed: Worshipping on the Altar of Certainty: 1985” is on view by way of December 18, 2022 on the Benton Museum of Artwork at Pomona School. 


That is an installment of “Artwork on Video,” a collaboration between Artnet Information and Art21 that brings you clips of news-making artists. A brand new season of the nonprofit Art21’s flagship sequence Artwork within the Twenty-First Century is on the market now on PBS. Catch all episodes of different sequence, like New York Shut Up and Prolonged Play, and study concerning the group’s instructional packages at Art21.org.

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