Akoroko Is a New Platform for African Movie and Tv

The previous IndieWire staffer and Shadow and Act founder needs to present African cinema the eye it deserves.

Editor’s be aware: Former IndieWire staffer and Shadow and Act founder Tambay Obenson is launching Akoroko, a brand new platform dedicated to African movie and tv; we’re comfortable to present him our platform to make his case.

For a century, “cinema” has been most frequently utilized in reference to an business that just about completely excludes the African expertise. I wish to change that with Akoroko, a brand new platform that can bridge African movie and tv industries with the West with constant, strong, and candid protection that’s native but globally accessible. It’ll embody criticism, evaluation, session, cataloging, curated movie streaming, and training.

An October 2021 UNESCO report famous that the African movie business generates $5 billion in annual income, with the potential for $20 billion. International urge for food for African movie and tv programming is unknown as a result of the business continues to be “structurally underfunded, underdeveloped, and undervalued.”

In the meantime, on the continent with the world’s youngest inhabitants, a brand new technology of African filmmakers is rising. They’re having fun with the identical advantages North America did 20 years in the past: new applied sciences, the affordability of digital movie tools, and the accessibility of on-line platforms.

Supporting their efforts are initiatives just like the Realness African Screenwriters Residency, the Locarno Movie Pageant’s Trade Academy workshop, and a partnership between USC Faculty of Cinematic Arts and Netflix. (This summer time, Netflix launched its first Kenyan collection, “Nation Queen.”) Google is making a $1 billion funding in Africa over 5 years.

Worldwide media giants like Netflix, Amazon, and Disney are starting to comprehend the continent’s untapped potential, even when solely in a bid to search out development alternatives. Efforts by firms like Google and Fb to widen broadband web entry will increase Africa’s development in movie and tv and the demand for content material — particularly regionally created — will solely improve.

Akoroko goals to turn out to be a trusted supply for movie and tv industries on the African continent, elevating public discourse across the African transferring picture and fostering the identical sort of rabid, cineastic appreciation that underpins North American, European, and Asian cinema.

All through my profession overlaying world Black cinema, I’ve at all times aimed to impact change, shift conversations, and encourage motion. I used to be born in Lagos, Nigeria, West Africa, and grew up in three nations and two continents. I nonetheless have one foot in North America and the opposite in Africa.

In 2007 I launched The Obenson Report, the place I spoke with up-and-coming Black filmmakers like future Oscar-winner Barry Jenkins. Then I co-founded Shadow and Act in 2009, a web site that launched readers to world Black expertise and new Black movies and insisted on world Black cinema as cinema, not as a distinct segment. We had been unapologetic and relentless, serving as a bridge between the impartial Black filmmaking neighborhood and the mainstream.

Throughout that interval, I additionally govt produced a number of movies by Black filmmakers, together with the Sundance Grand Jury Prize-winning brief movie “Black Swan Idea” directed by Nikyatu Jusu.


From 2010 to 2018, I used to be a curator and co-founder on the New Voices in Black Cinema Movie Pageant. Held yearly at BAMCinematek in Brooklyn, the competition hosted the New York premieres for Nijla Mumin’s function debut “Jinn” and screened works by filmmakers and actors early of their careers, together with Ava DuVernay’s “I Will Observe,” Oscar winner Matthew Cherry’s “9 Rides,” John Boyega’s “Imperial Goals”; Sundance Grand Jury Prize winner Chinonye Chuckwu’s function debut “AlaskaLand,” and the late Chadwick Boseman’s second function “The Kill Gap.”

I joined the IndieWire workers in late 2018, the place I continued to write down about Black cinema from a worldwide perspective. It was a platform with attain and affect and it allowed me to enter areas I beforehand couldn’t. It was additionally an training on find out how to effectively run a web based publication.

I’ve been invited to talk at faculties and universities, together with Yale and The New Faculty, reasonable and take part in quite a few panel discussions at movie festivals and screening collection, and mentor younger movie professionals.

All these experiences, in addition to the numerous business relationships I’ve developed through the years, have ready me for this second. Akoroko is nicely positioned to make instant impression with the continuing ideological shift relating to African cinema.

Essential to assembly its short-term objectives is a fundraising effort to boost roughly $75,000 to $150,000, permitting for the accelerated growth of Akoroko’s critiques, evaluation, cataloging, and session.

Thus far, Akoroko has been virtually a wholly one-man operation. For the platform to achieve success, I need assistance. One key lesson I realized from my years operating Shadow and Act is that I can’t do that alone, and I’m humble sufficient to know the place my strengths and weaknesses lie.

The funds raised will serve to cowl working prices over 5 to 6 months, with the intention to greatest place Akoroko to hunt seed funding that can carry it ahead.

Africa as a area is overflowing with creativity, and its untapped filmmaking panorama is without doubt one of the richest and most numerous areas on this planet. It has the potential to disrupt stereotypes and economies, whereas cementing identification inside communities.

This atmosphere is Akoroko’s entry level. Please be a part of us at www.gofundme.com/f/akoroko-african-cinema.

Tambay Obenson, previously an IndieWire workers author and founding father of Shadow and Act, is now the founding father of Akoroko.

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